In this case, "critical" refers to a source which critiques, not a source that is necessarily vital. Often, critical sources will be peer-reviewed texts (journal articles which have been reviewed by experts in the field), but books can also be critical sources. While reference sources provide information on a topic, critical sources provide analysis of that topic.
Finding academic/peer-reviewed content on certain texts and films can be difficult, and the process requires trial and error. Not every story, poem, film, book, TV show, etc. has been written about in an academic setting, and even if it has, there may not be much material. For example, lots of scholarship addresses Agatha Christie, but novels of hers including A Murder is Announced make few appearances in academic journals.
To avoid frustration, tweak your focus.
Gathering information from related sources, even if they're not directly discussing the film or text you're working with, can enrich your research and arguments. Please reach out to Professor Hammer with any research questions.
Hall, Catherine. “‘The Evil Side of Heroic Life’: Monsters and Heroes in Beowulf and The Hobbit.” Mythlore., vol. 41, no. 1, 2022.
Spearing, A. C., and A. C. Spearing. “Time and Temporality in Sir Gawain and the Green Knight.” The Chaucer Review., vol. 58, no. 3–4, 2023, pp. 336–47, https://doi.org/10.5325/chaucerrev.58.3-4.0336.
Bovaird-Abbo, Kristin L. “Safe Behind Doors? Sleep Deprivation in Sir Gawain and the Green Knight.” Arthuriana., vol. 32, no. 3, 2022.
Mercedeh Makoui. “The Element of Fear in Harry Potter and the Philosopher’s Stone.” Teaching English Language (Online), vol. 1, no. Special Issue 1, 2007, pp. 109–18, https://doi.org/10.22132/tel.2006.113231.
Valdés-Miyares, J. Rubén. “Beowulf’s Monster Discourse Now: Grendel in Twenty-First-Century Film.” English Studies, vol. 102, no. 6, 2021, pp. 847–67, https://doi.org/10.1080/0013838X.2021.1952678.
Rawitsch, Elizabeth. “‘Sometimes He Calls It Utopia’: Lost Horizon and the Politics of Imperialism.” Frank Capra’s Eastern Horizons, I. B. Tauris & Company, Limited, 2014.
Lavoie, Dusty. “Escaping the Panopticon: Utopia, Hegemony, and Performance in Peter Weir’s The Truman Show.” Utopian Studies, vol. 22, no. 1, 2011, pp. 52–73, https://doi.org/10.1353/utp.2011.0033.
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